"Spirited Away" says: "Look forward and never look backward, otherwise you will never go back to that world."We move towards nature and light to create a Hongyadong in the world of perception.

In the childhood of Chongqing, what is hard to forget is the "Mountain City Bangbanger" carrying a bamboo pole, climbing up the ridge, shouting, and all kinds of memories, which carry too many designers' affection for the city. Here, "the water follows the mountains, the mountains are near the aquatic", which is a unique scenery of "the city is on the mountain, the mountain is in the city".



The sales office of Chongqing Shimao Qianmenmen is across the river from Hongyadong, so a spiritual resonance is expected in the design. Dayan Design extracts the clear structure, delicate materials, and three-dimensional moving lines of the mountain city building to construct a geometric space with a sense of strength and spiritual significance, responding to the connotation of the mountain city residence.

Shuttle in the arbitrarily folded Chongqing, when the car drove over the Yangtze River Bridge, the Hongya Cave was closed at a glance, and the designer was full of thoughts. This is also the process in which he constantly finds himself in the design, making the abstract Hongya Cave and the opposite Hong The cliff caves face each other.

The hollow woven texture stone circulates like waves on the water surface under the light. The reception desk takes the meaning of a boat, which reminds people of the ease of river rafting. The metal facing lamp strips on the left and right sides reflect a complete woven circle through the reflection of the ground.



"Construction" is not only the connotation of the beauty of the scene created by oriental aesthetics, but also the artistic conception of the whole space. The exhibition aisle uses mountains and rivers as a carrier, and a sense of form of books, shaping the space with a unique form and language.

When modern design meets millennial bamboo weaving, it breaks the pattern of life aesthetics. Bamboo has always had many similarities with Chinese culture, and its flexibility is a kind of tolerance. But if it is bent to a limit, it will rebound or break. This is also the yearning for the true vitality. The design space with ornate decoration is separated, and the architecture and the interior are integrated.

Under natural light, vaults, domes, arches and columns are all structures that echo the characteristics of sunlight. Light gives the space a different atmosphere through the passage of seasons and four o'clock.



The sandpan area extracts stilts and weaving elements and deconstructs it into a dark metal skeleton woven body, with a large area of pure white background as a contrast, the space is filled with the taste of Jiangcheng in the contrast of depth and light.

Entering into the large-height space, it is imprinted with the cultural treasure of Chongqing—the Chuanjiang chant with great Bayu characteristics. I still remember when my grandfather said when I was young, "Chuanjiang chants belong not only to the boatmen, but also to the public." Now, they also belong to the design. When the loud and loud chants sounded in the space, the whole design was "alive".





The building facade brings full transparency and openness, and also shapes the uniqueness and spatial character of the interior. The LED screen creates a visual contrast with the light gray texture of the wall in a very installation-like way, which enriches people's feelings.





Qianmenmen was once the warehouse of Chongqing City, and its name was taken from "The Book of Songs·Xiaoya·Futian": Seeking Qiansicang instead of Vans Box. The memories and ancient meanings of the Seventeen Doors, which are becoming unfamiliar in the urban process, blend into the background in a vague form.



A good space not only shows light, but also shows shadow. Space, light and shadow, art and experience are the core of the design of the negotiation area. The light passes through the soft film ceiling material and passes through the woven metal frame, creating a rich spatial hierarchy.

The theme of the negotiation area is gathering mountain cities, vast sky, clouds and mist, gazing gently at the entire river bank, and enjoying a quiet time with friends. As far as the eyes can be, the people are there, and the love is stronger.

The cave feeling created by the dome-shaped skeleton is in dialogue with the Hongya Cave on the opposite side of the river. At the same time, it also protects the negotiation area and defines the distribution of different functions in the free flowing space.

"The surging Jianghan, the period of the Southern Kingdom", the stairs are not only the stopping point of the space, but also lead the core sight. With the moving line from bottom to top, the floating art installation of the boat flows with the light wave, which is also true and illusion.

Light is the physical medium of space, and color represents the perceptual side of space. The classic colors of black, red and white, as well as the depth of space, constitute a Dali-style surrealist painting.

Just as Tadao Ando "injects the extraordinary into the most ordinary and familiar environment," in the art space created by Dayan, you can comprehend the perception of the most original person, and perceive a city and a home with newness.